Thank you!
Your support is sustaining the future of local news in our communities.

Preserving culture: a conversation at the Norfolk Library

Preserving culture: a conversation at the Norfolk Library

Betsy Vorce and preservationist Edward F. Gerber, trustee of Historic New England.

Jennifer Almquist

At Norfolk Library on July 22, Vin Cipolla, President and CEO of Historic New England, and Melvin Chen, Director of Norfolk Chamber Music Festival discussed the rich tradition of music and arts festivals and their role in preserving culture.

Edward F. Gerber, a trustee of Historic New England, sponsors “Connecticut Preservation at Work,” a series of conversations with civic leaders, preservationists, and educators. Speaking to a full house, Gerber introduced Cipolla as, “a lifelong preservation and arts advocate protecting our cultural fabric.”

Cipolla has held leadership roles at the National Park Foundation, the Municipal Art Society of New York, David Geffen Hall at Lincoln Center, Fidelity Capital, the Institute of Contemporary Art in Boston, the National Trust for Historic Preservation, and has taught at Columbia.

Historic New England is the oldest, largest, independent preservation organization in the United States, with 38 history museums, farms and landscapes, and a collections center in Haverhill, Massachusetts that houses 1.5 million archival documents, plus 125,000 decorative arts objects. Cipolla shared plans for a “bold transformation” of their historic shoe manufacturing factories into Haverhill Center, a “cultural catalyst for the region that will reverberate internationally.”

Cipolla introduced Chen. “What I find spellbinding about chamber music is that connection, that warm intuitive partnership among musicians. Why is Norfolk important to artists and audience?”

Chen garnered global acclaim for his own musical performances, taught at Bard and was artistic director at Hotchkiss School Summer Portals. He received a doctorate in chemistry from Yale, and a double master’s degree from Juilliard in piano and violin.

Chen responded, “Norfolk is a small town, perhaps an unexpected place to have a major summer music festival. Early families Battell, Eldridge, Stoeckel had a vision for Norfolk. They commissioned architect Ehrick K. Rossiter in 1906 to build our Music Shed. Norfolk Chamber Music Festival is a natural outgrowth of that original vision.”

Ann Havemeyer, Director of the Norfolk Library and Vin Cipolla, President and CEO of Historic New England.Jennifer Almquist

Chen went on to say, “The important part of what we do is educating the next generation. When our young musicians arrive from around the world, I tell them they follow in the footsteps of great musicians who performed on our stage: Rachmaninoff, Caruso, Kreisler, Ralph Vaughn Williams, Percy Grainger, Samuel Coleridge-Taylor, and Sibelius.”

Vin Cipolla observed, “Something special happens in summer festivals that is irreplaceable in the field. Has the Norfolk experience affected your own music?”

Chen smiled. “It is rare in the life cycle of a professional musician to have the luxury of time to work on a piece. Here musicians delve deep, perform for an audience, then meet their audience.”

“At a time of much pressure,” observed Cipolla, “we are blessed with an abundance of festivals, yet we must be vigorous supporting them. What does preservation mean to you?”

Chen replied, “We are responsible for the programmatic preservation of the original spirit of Norfolk, while strengthening the current role of classical music in society. We have extraordinary talent here. I am optimistic that if we educators continue to encourage the creativity of young musicians and artists, people will be drawn to the arts and music.”

For more information on Historic New England Events visit: historicnewengland.org

Latest News

‘So Little to Do,’ so much to discover at James Barron Art

Curator Deborah Goodman Davis reads the Emily Dickinson poem “The Grass So Little Has to Do.” Spencer Finch’s “Following Three Bees (Zinnias)” buzzes in the background.

Photo by Natalia Zukerman

“The Grass Has So Little to Do,” on view at James Barron Art in Kent, takes its title from Emily Dickinson’s poem “The Grass So Little Has to Do,” written in 1862:

“The Grass so little has to do—
A Sphere of simple Green—
With only Butterflies to brood
And Bees to entertain—”

Keep ReadingShow less
Marina Kotchoubey is taking care of business

Marina Kotchoubey at the Ian Ingersoll Cabinetmakers showroom in West Cornwall.

Photo by D.H. Callahan

After 40-something years navigating the world of custom fine furniture, Ian Ingersoll was getting ready to retire. Starting off with a little dovetail stool that he sold at a shop in West Cornwall in the 1970s, he’d grown his skill and his business into something he — and the whole town — could be proud of. Shutting down that business was not an option.

Ingersoll built Ian Ingersoll Cabinetmakers, which produced mainly classical Shaker furniture, on passion: the passion he had to make a living through creative challenges and the passion of his employees, who all seem deeply in love with their craft.

Keep ReadingShow less
A legacy of giving at Norfolk Chamber Music Festival

One hundred and twenty years ago, Carl and Ellen Stoeckel commissioned New York architect E.K. Rossiter to design The Music Shed in Norfolk, Connecticut. After nearly a decade of entertaining their friends and neighbors with the finest music of the day, they built a permanent home for their beloved Litchfield County Choral Union.

The commission and full funding of the construction was not unheard of in an era when great fortunes led to public enrichment. Railroad tycoon John D. Rockefeller was instrumental in funding institutes of higher education. Steel baron Andrew Carnegie was building libraries all over the country, and famously said that a man who dies rich is a disgrace, challenging his peers to give their fortunes back to the people.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

Two unique exhibitions at Geary Gallery

Henry Klimowicz with his sculpture, “Partial Pillar 1”

Photo by D.H. Callahan

On Saturday, Aug. 1, Geary Gallery opened its doors in Salisbury for two unique shows in its first- and second-floor gallery spaces. Art lovers flooded both floors over the course of the afternoon, giving the events a vibrant feeling that enhanced the importance of the art.

On the first floor is a show by Chicago-born, Colorado-based photographer Summers Moore, titled “Lobitos: Pueblo Fantasma,” or “Lobitos: Ghost Town.” The work centers around her daughter’s current hometown in Peru. Moore herself found a home away from home in Colorado in the mid-1980s and encouraged her children to seek out new places outside of their comfort zones.

Keep ReadingShow less

Writer’s retreat in the woods

Writer’s retreat in the woods

Participants in a 2024 Great Mountain Forest Woodland Academy workshop at Yale Camp.

Photo by Mike Zarfos

Great Mountain Forest (GMF) will host its first Nature Writing Retreat at the historic Yale Camp in Falls Village from Aug. 7-9, 2026. Writers of all levels are invited to draw inspiration from one of New England’s most notable forest landscapes. GMF envisions the retreat becoming an annual event celebrating writing, conservation and the relationship between people and forests.

This immersive three-day retreat reflects on the legacy of Hal Borland, the American writer and New York Times nature columnist whose work was deeply connected to this landscape. The retreat explores how wilderness shapes language, strengthens close observation and fosters environmental consciousness.

Keep ReadingShow less
From Cornwall to Rome, Adam Van Doren at Berkshire Botanical Garden

Artist Adam Van Doren and curator Donna Hassler talk to a group of visitors at the Berkshire Botanical Garden. A Stephen Proctor vessel sits to their left.

Photo by Natalia Zukerman

This summer, the Berkshire Botanical Garden in Stockbridge has hosted “Grounded in Nature: Paintings by Adam Van Doren,” an exhibition exploring the intimate relationship between architecture and the natural world.

On view for only a few more weeks in the Leonhardt Galleries, the exhibition features more than 35 watercolor and oil paintings by the New York-based artist, architect, author and Yale professor, curated by art historian Donna Hassler, director emerita of Chesterwood. The works span three distinct places that have shaped Van Doren’s artistic practice: New York City, Cornwall, Connecticut, and his travels throughout Europe.

Keep ReadingShow less
google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.

google preferred source

Want more of our stories on Google? Click here to make us a Preferred Source.